Tag Archives: writing

Two Letters on a Ring

An old Kodak came in with its back jammed shut. When we finally forced it open, there was something hidden inside — and no one will ever know who put it there.

By Leslie Gordon · Richmond, BC · October 2026
From the counter at The Pound & The Provenance

It started with a camera that wouldn’t open. A No. 3 Folding Pocket Kodak, Model H — Rochester, New York, somewhere around 1911 to 1915 — the handsome old folding kind, with black leather over the body and deep red bellows that pleat out like an accordion. A proper hundred-year-old camera. And its back was stuck.

Not sticky. Stuck. The back panel, the part that comes off to load the film, was pushed partway out and would not move. It wouldn’t come out the rest of the way. It wouldn’t go back in. I’ve opened a great many old cameras and I had never felt one fight like this. Something was wedged in there.

When we finally got it open — and it took some doing — this is what was waiting inside the film chamber: a little wooden case, wrapped up in a dark red man’s handkerchief. Someone had hidden it in there deliberately, pushed the back cover of it to close it, and the two had been locked together so long and so tight that the camera had all but sealed itself shut around its secret.

Inside the little wooden case was a ring.

What the ring was

It looked, at first, like a heavy novelty ring. Gold, chunky, a little strange. But turn it over and there were numbers and dials worked right into the band — tiny aperture stops, shutter speeds. Not a ring pretending to be interesting. A real, working subminiature camera, built to be worn on a finger. A camera, in other words, hidden inside another camera.

What it did not have was a name. No tidy maker’s plaque, no note tucked in with it to say who or why. Just a mark cut into the band and the storage cylinder:

GF 81 ITALY Maker’s initials · Year · Country

Two letters, a year, a country. That’s the whole of what the ring would tell me outright. GF for whoever made it. 81 for 1981. ITALY for where. And a number — this one is 9 of 20 — meaning it belonged to a numbered edition, something made in a deliberately small run rather than by the thousand.

Which already raised a quiet little problem. The camera it was hidden inside is from about 1911. The ring is from 1981. Seventy years apart. Whoever did the hiding did it in my lifetime, not in some sepia past — chose an antique camera, three generations old even then, as the place to tuck something away. I find I can’t stop thinking about that, and I have no way to know the rest of it.

The hunch

Here is the part I’ll be honest about, because honesty is the whole job. I had a feeling about those two letters. Not evidence — a feeling, the kind you get after enough years of handling things. I was fairly sure GF stood for a particular maker. But a feeling is not something you can put on a tag or tell a buyer. In this trade, “I know it in my heart” and “I can prove it” are two different objects, and only one of them is worth money.

So the rule I hold to is simple: follow the marks until they either confirm the hunch or kill it. The marks are allowed to lead. The hunch is not.

The marks led somewhere.

What the marks confirmed

It turns out there is a documented record for exactly this object. The first ring camera of its kind was made in Italy in 1981, in an edition of just twenty pieces, gold-plated and numbered 001 through 020. The two letters cut into the band are the initials of the man who made it: Gianpaolo Ferro.

Everything on the ring lines up with that record — the GF, the 81, the Italy, the number inside a run of twenty. The hunch and the documentation arrived at the same door at the same time. That’s the moment a feeling becomes a fact you’re allowed to say out loud.

Ferro went on to make other versions over the following years, but only ever 107 of these ring cameras across his whole career, start to finish. Twenty of them were that first 1981 batch. This is one of those twenty.

What the ring is

Maker Gianpaolo Ferro, Italy ModelGF81 ring camera Year1981 EditionNo. 9 of 20 Finish Gold-plated Function Working subminiature camera — real aperture & shutter settings

Why a camera in a ring

The idea isn’t as far-fetched as it sounds. For most of the twentieth century, if you needed to photograph something and could not be seen doing it, the camera had to disappear. It went inside matchboxes, cigarette cases, pocket watches, wristwatches — and, yes, gold rings. The whole craft was making the machine vanish into an ordinary object.

So a camera worn on a finger belongs, at least in spirit, in a Cold War spy story. I want to be careful with that, the way I’d want any dealer to be careful with me: I can’t tell you this particular ring was ever carried by an agent or used in the field. What I can tell you is what it is — a genuine, working, finger-worn camera from 1981 — and let the imagination do the rest.

What we’ll never know

Here is the part I can’t answer, and won’t pretend to. I don’t know who hid the ring inside that camera. I don’t know why. I don’t know whether it was squirrelled away from a thief, a spouse, a government, or simply from the ordinary forgetfulness of a crowded drawer. I don’t know whose dark red handkerchief that was, or whether the person who wrapped it meant to come back for it and never did.

And I’ve decided I’m glad I don’t. A dealer is always tempted to tidy a story up — to supply the ending the object seems to be asking for. But the honest version is better than any I could invent: a working spy camera, sealed for who-knows-how-long inside a hundred-year-old Kodak, wrapped in a stranger’s handkerchief, and no one left to tell us the rest. The mystery is the inheritance. I’m the one who happened to open the box.

What I can say, I’ve said plainly — and every word of it is first-hand. The camera that wouldn’t open. The forcing of it. The little wooden case and the red handkerchief. And two letters that, followed patiently, turned out to name a man and a year. If I’d shelved the ring as a novelty, GF would have stayed GF (and meant gold-filled). The whole difference between “odd gold ring” and “documented 1981 Ferro, nine of twenty” was treating a small thing as a question worth asking.

That’s the quiet pleasure of this work. The thing in your hand is always trying to tell you what it is. Most days it manages only a word or two. My job is to take the word or two seriously enough to find out what it was trying to say — and to know when to stop, and let the rest stay a mystery.

Going to auction…

This one is at Harrington’s

Not ours to sell this time — the ring is consigned to Harrington’s Fine Jewellery Auction, and it goes to the block with its little wooden case.

Lot 92, closing Friday, October 16.

Phone 1-800-359-9021
bid.harringtonsauctions.com — search “spy camera ring,” Lot 92

A spy camera that turned out to be real — hiding, all along, behind two little letters.

Leslie · The Pound & the Provenance · 778-708-0454

The Lady on the Gentlemen’s Shelf

There is a case in the back of my shop that most people never see. The room it lives in is only half finished, so I keep the door shut and take folks in myself — which means by the time someone is standing in front of that case, we both know they are a serious person. The repeat offenders, I call them. You know the type. You are the type, or you wouldn’t still be reading.

The shelf is a gentlemen’s affair. An S.T. Dupont pen lying in its Paris box. Cut crystal. An inkwell. Pocket watches. A little brass crest from La Salle. It is the sort of collection a certain kind of man assembles on a certain kind of desk, and it photographs beautifully.

And tucked right in the middle of all that masculine ceremony is a small, dark, worn-out disc about the size of a nickel-and-a-half, that I put there entirely on purpose.

It is a medal. Silver plated — and I’ll be honest with you, the plating has given up in places and worn through to the copper underneath, with a few green freckles of age where the two metals have been arguing for ninety years. It is not valuable the way the Dupont is valuable. You could hold it and think well, that’s seen better days, and set it back down, and I would not blame you.

But turn it over and squint. The maker’s mark reads J.R. Gaunt — a British firm that stamped out cap badges and club medals by the barrowful, with a hand in Montreal. (The McCord Museum in Montreal has drawers full of the work, if you’d like to fall down that particular hole — I’ll wait here.) So half the regimental badges and society fobs in this country passed through their dies. And the front, under a little rising sun with maple leaves and Ontario trilliums around the edge, carries six initials: C.F.B.P.W.C.

The Canadian Federation of Business and Professional Women’s Clubs.Founded in 1930 — which drops them into the long quiet between the first wave of the women’s movement and the second. (They’re still going, by the way.) Working women — at a time when the phrase itself was still an argument — banding together for equal pay and a seat at the table, decades before that fight had a tidy name. The style of the thing says 1930s or ’40s to me, which puts it right at the founding. So while all those gentlemen’s objects were sitting on their desks being important, this is what the women were doing.

I don’t know whose it was. Somebody earned it, or was given it, or wore it to the meetings where the resolutions got written. I like to think she’d be quietly pleased to find herself here — the one working woman in a case full of men’s things, not asking permission, just in the room. Seemed to me exactly where she belonged.

She’s not for sale to the first person through the door. But if you ask to see the back room, and you pick her up, and you turn her over — well. We’ll have something to talk about.

Leslie
778-708-0454

The Pound & the Provenance
7791 Steveston Highway
(northwest corner of No. 3 Road and Steveston Highway)
Richmond, BC, Canada

~~~

Please Note: I am not an appraiser, a silversmith or a gemologist. I am an antiques dealer. A generalist with a love for things with a bit of age. I had a stroke, four years ago, and AI is helping me to do better than I would have. Nothing here is false, everything here is true. I hope you enjoy it and please leave a message.

Ref. no. 1191


The Butterfly Ball, Roger Glover – 1974

It just seems like a good day to share a smile and a bit of good cheer!

Précis Writing

This morning I have come to the conclusion that my writing, my essays and term papers, are a series of précis.  The subject of this paper is the looting of archaeological sites.  At about 3,000 words it is not as long as an average book chapter, however, it divides easily into sections.  There are four examples, each very different from one another, that cover the related topics of looting, conservation, and education.  The discussion brings the examples together and talks about who is doing what.  The conclusion looks at the who and the what and I make a suggestion.

It is a pretty normal paper but, I think that maybe it could be a bit more….  I hand it in this afternoon.  I am, and this is not normal for me, already looking forward to receiving it back!

~

I have a habit, when writing papers, of opening the file and immediately re-saving it using a consecutive numbering system.  For this paper my files were labeled  with the name of the paper and the numbers 1 through 10.  Shorter papers may only have 3 or 4 revision numbers.  These are not really revisions though, they are simply a growing work.  Baby steps that take me towards a finished product.  Each step adds a few paragraphs or even pages.  These will be rearranged and sometimes dropped as unnecessary or redundant.  The final step before editing will be to add in transitional paragraphs.

~

Kierkegaard began Fear and Trembling with the story of Abraham on the Mount.  The first chapter of this book is taken from the Bible.  Word for word.  The second chapter almost repeats the first chapter, there are only a few changes and they are not easy to spot.  When I read this book the first time I thought the publisher had made a mistake and printed the first chapter twice.  No, it was not a mistake!  In the third chapter the retelling of Abraham’s story becomes much more noticeable.

If you have not read Fear and Trembling by Soren Kierkegaard I recommend it.  The book is not a long one, however, it is memorable.

~

Translations of a translation.  This morning I am pondering a project that I thought of a while ago.  Kierkegaard did not use a translation to get his points across.  He rewrote the story to make it clear to his readers what the story was about.

I am not Kierkegaard.  (There are friends of mine just let out several deep sighs….)  My thoughts, my project, is to take a work of old or middle English and to translate it.  Then to translate my translation, and again….

What to choose?  Where I could I take it?

There are so many tales of King Arthur and the Knights of the Round Table.  Many written in old and middle English.  Chaucer is in there, and Mallory.  I need to think about this.  I could just choose a small piece of writing to work with – definitely more approachable than an entire work.

~

Isn’t translating and revising and retelling what we humans do?  Writing books, building houses, making dinner?  Mmmm….  This tastes wonderful!  How about if we have the leftovers tomorrow and we can add those wonderful tomatoes your mother grew!

~

Translation  —  Transition  —  Transformation

Pictograph  —  Linear A  —  Linear B

They might all say the same thing, but then, maybe not….

Hire Me….

Because, I have a lot to say about a lot of things.  And, I could be saying it for you!

There is a lot of experience behind me.  I have put more than 50 years into looking around, reading, communicating and learning about life in general.

My experience, a lot of it anyway, is unique.  I am back in university as a mature student and loving it.  I have raised a daughter who is a university graduate.  I own a web based business – actually two of them.  One is a vintage and antique shop and the other is a bead store.  I work in the fabrication industry in my family’s welding shop.  I have worked in the pulp mills and oil refineries of British Columbia and Alberta as a Journeyman Boilermaker.  I am a condo owner and I do a lot of my own repairs — and I know some of the reno’s that I would not touch, even though I am quite capable of doing them!  Reno’s and repairs are always a challenge and definitely worthwhile!  I have been a member of a strata council and I have recently been asked to be on another council.  New building, new people, new ideas and new experiences!

Looking at the list I have just written it looks like I am pretty busy and I am.  I am busy making deadlines!  Getting jobs done!  And, most importantly, I am busy enjoying my life!

The most wonderful thing about all of this experience is the connections between all of these diverse activities.  Those connections are not just mine, those connections are a part of our lives.  Our backgrounds expose us or protect us from whatever it is that our future interactions may hold.  Depending on our backgrounds each of us sees  things a little differently than the person beside us sees them.  The angle of our vision is always varied by our background and this makes every insight just a little bit different.  It has to be if we are to be individuals.

I think that I am pretty normal, a little outspoken about things I am passionate about and just busy enough that I keep out of trouble, sort of.  And, idle enough that I can enjoy sitting back and taking a look around.

It is all connected.  Everything.  Figuring it out and writing about these connections is giving me a lot of happiness and now I would like my passion for writing to be a larger part of my life.

My writing does not have to be about me.  My writing could be about you or for you!  If you are currently looking for a freelance or ghost writer, you might find me and my writing to be interesting and might possibly be an interesting connection….

Please follow me here, or on LinkedIn.  Or if you would like to, please leave a comment or send me note because, I more than just wanting to connect with you, I want to write for you!